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Music Sheets

WELCOME

Thank you for visiting my website! My name is Jeremiah Evans. I am a composer of piano music & art songs who is based in Dallas, Texas. Please, take a look around. If you have any questions, comments, score requests, etc., please do not hesitate to contact me via the contact tab.

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SELECTED SONGS

& MEDIA:

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from

RISING

(Warner Classics & Erato)

Nominated for 

"Best Classical Solo Vocal Album"

66th Annual Grammy Awards

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April Rain Song

April Song (youtube.com)

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Lost Illusions

Lost Illusions (youtube.com)

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Southern Mansion

Southern Mansion (youtube.com)

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RADIO INTERVIEW

WRR CLASSICAL 101.1 FM

Focus on the ARTS

With AMY BISHOP

​https://soundcloud.com/classical-101-wrr/wrr-10

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pboard&utm_medium=text&utm_campaign=social_sharing

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And from the new album, 

WHAT DREAMS WE HAVE

(Lexicon Classics)

Billboard's Top 10

featuring

GRAMMY AWARD WINNING

baritone, Kenneth Overton

& pianist, Casey Robards

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​Summer in the South​

7. Summer in the South (youtube.com)

 

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ABOUT JEREMIAH EVANS:


Jeremiah Evans is a co-composer of the Grammy-nominated album RISING (Warner Classics). The album featured Metropolitan Opera tenor, Lawrence Brownlee and acclaimed pianist, Kevin J. Miller. His music has also been included on the album What Dreams We Have (Lexicon Classics) which debuted on Billboard's Top 10 (traditional classical chart). The album features Grammy Award-winning baritone, Kenneth Overton & celebrated pianist, Casey Robards.


His music has been performed at Carnegie Hall, The Kennedy Center, 16th London New Wind Festival, South Africa's National Arts Festival, Royal Concertgebouw (Netherlands), Princeton University Concerts, Celebrity Series of Boston, Matinee Musicale Cincinnati, The Philadelphia Chamber Music Society, Pacific Opera Victoria (BC), Tuesday Musical Club, San Francisco Performances (Herbst Theatre), The Knoxville Opera/NATS, Opera On Tap Boston, and The Dallas Opera's Robert E. & Jean Ann Titus Family Recital. His music has also been performed at/by conferences /organizations, including those held by the International Double Reed Society, The College Music Society, The National Federation of Music Clubs, The African American Art Song Alliance and African American Composer Initiative.


His songs have been included in concert programming described by The Boston Globe as "powerful". Songs by Jeremiah Evans, among others, were recorded for "Brownlee’s labour of love (Rising) – bringing together a new generation of composers with classic texts... recording all with indefatigable energy and style" (Gramophone, London). His songs have been described by The Washington Classical Review as having "surprising twists, as well as a pleasing melodic style", while some of his piano music has been described as being inspired by "urban sounds, jazzy inflections, and an Impressionist milkiness" by The New York Times. A featured composer in Classical Singer Magazine, he has also been included among "consummate melodists" by OperaWire
 
He has been recognized as a finalist-composer in The New York City Contemporary Music Symposium- Call for Scores (Three Inventions for piano solo) and a winner of the Locrian Chamber Players' Call for Scores in New York City (Five Pages From a City Journal for piano solo). His piano music has also been selected for the call for scores of The American Evolution (Kris Carlisle, recipient of The American Prize in Piano) and The American Mavericks Project. His art songs have been selected as winning compositions in the calls for scores of Calliope's Call in Boston, MA and Opera Contempo in Salt Lake City, UT. Additionally, he has been awarded a grant from the ASCAP Foundation/ NYSCA Fund/ Composers Now Festival.

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His songs are listed in Thomas Hampson's Song of America and have been performed as part of opera legend Denyce Graves' Shared Voices Project. His art songs have been performed by competitors at the George Shirley Vocal Competition and his piano music has been selected as official repertoire for the Janice Kay Hodges Contemporary Piano Competition. His music has been broadcast over WRR's Focus on the Arts with Amy Bishop, Classical 101.1 FM, Dallas, TX; Performance Saturday on Texas Public Radio; Evening Eclectic on WRUU 107.5 in Savannah GA; Modern Notebook with Tyler Kline, Florida's WSMR 89.1; Revolution Per Minute with Sarah Cahill, KALW in the San Francisco Bay Area; and recorded live for streaming on Passport, PBS. 
 

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SPOTLIGHT â€‹

Here I'd like to highlight

recent & notable scores 

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CONCERTO

for piano & string orchestra

by Jeremiah Evans

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My recently revised Concerto is

cast in 4 compact movements:

1) Prelude variations, 2) Scherzo,

3) Fantasy, & 4) Toccata.

I sketched this work out in

college over 20 years ago

but lost track of the manuscript

until it was rediscovered at the

bottom a box of papers

that had been misplaced. Over

the past year or so, I have

revised the piece and have

realized my lifelong dream of

completing my favorite of

all the large-scale genres of

classical repertoire-

The Piano Concerto!

 

PLEASE LISTEN TO THE NEW

REVISED EDITION BELOW

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